Guitars

      Electric, acoustic, classical guitars, and ukuleles of the highest quality. Design, craftsmanship, and a sense of tradition are the main characteristics of our instruments. When history comes to life.
    

Electric Guitars

Acoustic guitars

Bass guitars

Ukuleles

Accessories

Find Your Perfect Henry’s Acoustic

From campfire chords to concert stages – Henry’s acoustic lineup has the right guitar to match your style.

Every player has their sound. Some chase warm folk tones, others go for that bright, punchy resonance. At Henry’s Music, we’ve got an acoustic for every kind of musician – from weekend strummers to stage veterans. The question is simple: which one has your vibe?

A Quick Guide to Acoustic Guitars

Dreadnought, OM, Grand Auditorium… it’s easy to get lost in the terms describing acoustic guitars. Let’s take a deep dive to make it clear out once and for all.

Body shapes:

Dreadnought: Big body, bold sound, and deep bass like the one produced by our Emperor or Bonefire. Ideal for strummers who like their sound to fill the room.
OM (Orchestra Model): Balanced tone, comfortable shape, great for fingerstyle and expressive playing. Simply a perfectly designed guitar, like our Empress.
Auditorium: The auditorium has a medium-sized body, which is smaller and thinner than a dreadnought. The sound is balanced in both treble and bass, making it ideal for fingerstyle playing.
Grand Auditorium: The all-rounder. Slightly larger than an auditorium and a little smaller than a dreadnought but with a full voice and great projection perfectly embodied by the Daily.
Round shoulder: Also known as slope or curved shoulders like our Every, round shoulder acoustic guitars are based on dreadnoughts and as such, they produce rich sound with beautiful bass. The difference in shape is often just preference-based, as some guitarists find them easier to play.
Jumbo: Jumbo guitars are the largest and heaviest acoustic guitars, producing strong bass and loud sound. The downside is that they can be less comfortable to play, especially while standing.
Mini Acoustic Guitars: Mini acoustics are not only a good choice for children, but make great travel guitars. They have a shorter scale length and come in various standard acoustic shapes (dreadnought, jumbo, etc.) in sizes 3/4 or ⅞, like our Street.

Tonewoods:

If you’re new to the acoustic world, think of it like picking your favorite genre – your guitar’s “tonewood mix” will set the mood for everything you play. Henry’s mostly uses following tonewoods:

Spruce gives brightness and clarity.
Mahogany adds warmth and midrange punch.
Rosewood brings richness and deep bass.
Ebony makes your playing feel fast and silky.

Guitar Parts:

Cutaway: the curved section on the upper part of the guitar body that lets you reach the higher frets more easily. It’s perfect for solos or melodic playing where you need full access to the neck.
Nomex Honeycomb: A synthetic core material placed between two layers of wood in a Double Top. It reduces weight and increases stiffness, giving the guitar a louder sound.
Bracing: The internal wooden framework that supports the top of the guitar and shapes its sound. Henry’s usually uses Special Scalloped X Bracing, which reduces the weight and helps to produce a richer, louder sound.
Fretboard: The long wooden surface on the neck where you press the strings.
Headstock: The top part of the guitar neck that holds the tuning pegs.
Pickguard: A thin protective plate on the guitar body that prevents scratches from strumming or picking.
Truss Rod: A metal rod inside the neck that allows precise adjustment of neck curvature, keeping the guitar playable under varying string tensions and climates. Henry’s using dual-action truss rods, which correct both forward bow and backbow.

Henry’s Daily – Built for Everyday Playing

The Daily Line comes in both purely acoustic and electro-acoustic versions, so you can choose the setup that fits your playing style.

Besides this distinction, the line contains two different sets of guitars – Daily and Every. As you can probably tell from its name, Daily is the original acoustic and Every is a younger sister.

Both guitars share the same solid spruce top and mahogany back and sides, which give them a warm, natural tone with plenty of clarity. In short, they’re built from the same quality materials and crafted with the same attention to detail – the main difference lies in how their body shapes impact the sound and feel. The Grand Auditorium body of the Daily feels sleek and focused, great for players who move between strumming and picking, whereas the Every comes in the Round Shoulder shape. Last but not least, the Daily features a 45mm nut width, while the Every is slimmer with 43mm.

Henry’s Monarch – Royal Sound for Refined Players

If the Daily is your reliable rhythm guitarist, the Monarch Line is your lead virtuoso – refined, elegant, and always on point.

The OM24 Empress model is built with a solid Sitka spruce top and rosewood back and sides, giving it a vibrant projection with a warm, round finish. Its OM shape sits comfortably on your lap and delivers a balanced sound that’s ideal for expressive playing. Add a mahogany neck, ebony fingerboard, and gold hardware, and you’ve got a guitar that feels as smooth as it looks. The natural gloss finish lets the tone breathe – and makes sure all eyes are on you when you hit that first chord.

For players who want even more power, the D24 Emperor brings in the full dreadnought experience. An all-solid rosewood body with a solid Sitka spruce top creates a deep, booming voice with crystal-clear highs. With its scalloped X bracing, the D24 sings with dynamic range and authority. It’s a showstopper that looks and sounds majestic – from the gold vintage tuners to the intricate rosette and natural wood finish.

Henry’s Street – Compact Body, Premium Soul

The Henry’s Street acoustic guitar takes the Grand Auditorium body and reimagines it into a compact, travel-friendly version without sacrificing tone. Its unique Double Top combines solid spruce with Nomex honeycomb, a high-end material known from carbon-fiber guitars. This structure makes the top lighter, stiffer, and more responsive, giving the guitar longer sustain, brighter projection, and better stability in any climate.

Built from mahogany, spruce, and rosewood, the Street shares the Monarch’s premium tonewoods but adds a modern twist. The Fishman Sonitone GT2 pickup delivers clear, natural sound on stage, while its bold design with gold hardware, visible wood grain, and floral neck relief adds a nice visual touch.

In 2026, the Street got two siblings – a modified light-wood version with a fretboard decorated with linden leaves and a flower design, and a black model with glossy finish and inlays with linden leaves. The time-proven construction, however, stays the same.

Ready to find your sound?

Come explore Henry’s acoustic family. We don’t just sell guitars – we help you achieve the perfect sound that comes within.

Lefties Are Alright: Playing Guitar as a Left-Handed Musician

You are left-handed. You pick up a guitar for the first time. And what do you find in most shops? Forty right-handed models in every colour of the rainbow, and one lonesome black guitar in the corner that nobody seems to have dusted since 2009. Sound familiar? At Henry's Music, we believe that every player deserves a guitar that fits them properly, looks brilliant, and makes them want to practise until the neighbours start leaving notes under the door.

===PRODUCTS===

The Wrong-Way-Round World

Being a left-handed guitarist has always meant playing the game on hard mode. Walk into the average music shop and the ratio of right-handed to left-handed guitars is roughly the same as the ratio of guitar solos to silence at a Metallica gig: wildly one-sided. Lefties have historically been handed two options: compromise, or get creative.

Just like Kurt Cobain, who was naturally left-handed but was often pushed to write right-handed as a child. He grew out to be functionally ambidextrous. He signed autographs with his right hand but played guitar left-handed, frequently flipping right-handed models upside down, restringing them, or hunting down a few left-handed models available on the market back then. Paul McCartney took a similar DIY approach early on, flipping and restringing whatever he could get his hands on. He did, however, find a rather charming upside to his southpaw tendencies: standing on stage next to his right-handed bandmate, they naturally mirrored each other when sharing a microphone, giving The Beatles their unmistakable visual symmetry. And let’s not forget about Jimi Hendrix, who played standard right-handed strats flipped upside down, restrung to suit his left hand. He then went on to redefine what a guitar could do. But imagine what he might have achieved if he had started on a properly built left-handed instrument from day one.

Many of these icons grew up in a world where left-handedness was actively discouraged. Times have changed. Nowadays, we know that lefties are alright. More than alright.

Left-Handed Guitar or Right-Handed Guitar?

This is the first question every left-handed beginner faces, and believe it or not, the answer is more individual than you might expect. There is no single correct approach, which is both liberating and mildly infuriating.

The Air Guitar Test. Before you do anything else, do this: stand up, pretend you are about to shred the greatest solo ever, and notice which hand naturally moves towards the strings. If it is your left hand, that is a strong sign you will feel most comfortable on a left-handed guitar.

However, some left-handed players find that learning on a right-handed guitar actually works well for them. The fretting hand, which handles the more technically complex fingerwork, ends up being their dominant left hand. Several notable players (such as Joe Perry or Mark Knopfler) have gone this route and found that their dexterity on the fretboard gave them an advantage. Others find the whole experience deeply unnatural and feel perpetually stuck.

There is also the option of taking a right-handed guitar and flipping it upside down, restrung for left-hand use. This works, but it comes with a cost: all your chord diagrams, tabs, and tutorials are now a mirror image of reality, and you will spend a portion of every practice session doing a mental translation that your right-handed peers simply do not have to deal with.

The best advice? Pick up a guitar in both orientations. Play a few open strings. Try a basic chord shape. The one that feels more natural is almost certainly the right starting point. Your body will tell you.

The Market Has Changed. We Are Changing With It.

For decades, left-handed guitarists had almost nothing to choose from. The market simply was not set up for them, which is a large part of why so many legends from the 1960s and 70s ended up playing right-handed guitars restrung or flipped. Sometimes it was just the only option available.

Things are meaningfully better now. The range of left-handed guitars available to players is now wider than at any point in history, and the quality across price points has improved considerably. That said, the selection is still not on a one-to-one footing with right-handed models. There are gaps, and they can be frustrating.

At Henry's Music, we are working to close those gaps systematically. Our goal is to have a left-handed alternative for every guitar in our lineup, including our acoustic guitars. We are not there yet, but we are getting closer with each new range we develop, and our current left-handed selection already covers a strong majority of our core models. Check our selection.

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Find Your Perfect Henry’s Acoustic

A Quick Guide to Acoustic Guitars

Body shapes:

Tonewoods:

Guitar Parts:

Henry’s Daily – Built for Everyday Playing

Henry’s Monarch – Royal Sound for Refined Players

Henry’s Street – Compact Body, Premium Soul

Lefties Are Alright: Playing Guitar as a Left-Handed Musician

The Wrong-Way-Round World

Left-Handed Guitar or Right-Handed Guitar?

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